Untitled 17

This work distills landscape into a quiet architecture of horizontal bands, where earthen ochres press against a pale, luminous seam like a held breath at the horizon. The surface reads as weathered and sedimentary—scraped, softened, and re-layered—so that time becomes a material, and the painting feels less “made” than “revealed.” Within the restrained palette, subtle shifts of value and texture create a pulse between density and release, suggesting a threshold space where memory, dust, and light continually re-negotiate their boundaries.