Love Triangle (The Last Supper)

This triptych stages a tender bestiary—bird, deer, and tiger—held in separate panels like devotional icons, yet bound by a continuous floral border that turns division into kinship. Saturated blues flood the negative space, cooling the heat of vermilion and ochre bodies and making each creature feel simultaneously protected and exposed, as if caught between lullaby and warning. The simplified, almost childlike contours invite immediate affection, but the tiger’s quiet gaze and the deer’s lowered head introduce a restrained drama about innocence meeting instinct. In its ornamental framing and bold color blocking, the work reads as a meditation on coexistence: wildness domesticated by pattern, and vulnerability dignified by ceremony.