Untitled 1

This monochrome composition stages two interlocked profiles as if they were cut from the same memory, their calm, sealed mouths and elongated eyes suggesting a dialogue held in silence. Thick black contours behave like architectural beams, partitioning the faces into mosaic fields of stipples and concentric “eye” motifs that read as both ornament and surveillance—an insistence that interior life is never wholly private. The bright negative spaces of the cheeks and foreheads act as pauses amid the dense patterning, allowing breath and tenderness to emerge from an otherwise claustrophobic lattice of marks. In this fractured intimacy, the work proposes identity as a negotiated collage: affection and distance, self and other, braided into one continuous structure.