Untitled 4 (The Meeting of Worlds)

This circular composition reads like a cosmology rendered as circuitry—an intricate labyrinth of electric lines that turns the picture plane into a living membrane of movement. Concentric orbs and triangular sigils punctuate the field like celestial stations, suggesting a system where intuition, mathematics, and myth cohabit the same map. The saturated greens, blues, and ember reds create a pulsing chromatic tension, as if energy is being routed through invisible channels and briefly flaring into consciousness. Within the enclosing disc, the viewer is invited to contemplate order and chaos not as opposites but as interdependent rhythms that make a world feel both navigable and mysteriously alive.