Untitled 7 (The Meeting of Worlds)

This abstract composition reads like a fractured map of inner and outer worlds, where crisp triangles and hovering circles negotiate a tense truce between order and impulse. Acid yellows and cool blue-greens puncture a gauzy field of greys, creating luminous “signal points” that feel both playful and urgent, as if the painting is translating thought into a private geometry. The layered marks—half-diagram, half-graffiti—suggest coded language and memory, with each enclosed shape acting like a compartment for sensation, time, and the residue of lived experience. In its shifting spatial logic, the work becomes a meditation on contemporary perception: a mind sorting noise into meaning, forever incomplete yet vividly alive.