Untitled 108 (Quiet Reflection)

This work reads like a quiet palimpsest of memory—layered washes of ochre and smoke-gold hover over one another as if time has been set down in translucent sheets. Sparse marks and faint striations pull the eye across the surface, while the soft bleed of pigment and torn-paper edges turn absence into a tangible presence. Anchored by small, earth-dark forms near the lower margin, the composition balances intimacy and distance, suggesting domestic relics or shoreline fragments held in suspension. The luminous voids function as pauses—breathing spaces where what is unsaid becomes the true subject.