

This composition reads like a city remembered rather than seen—planes of ochre and olive interlock in a restless lattice, while thin, searching lines map routes of thought across the surface. Light feels excavated from within the pigment, emerging in pale clearings that momentarily steady the eye before it is drawn back into the congestion of layered forms. Fragments of text and abrupt reds behave like overheard signals, suggesting a narrative of accumulation—memory, architecture, and atmosphere compressed into a single vibrating field. The work holds a poised tension between construction and dissolution, as if the image is continually assembling itself even as it slips toward abstraction.