Untitled 4

In a hushed, cavern-like stage of charcoal greys, the composition hinges on a single rupture of color: a red pepper suspended like a votive, releasing measured droplets toward an egg poised on a shallow dish. The surrounding stones read as both river-worn time and ritual witnesses, while the tethered bull at the margin introduces a charged, animal presence—strength held in restraint, appetite disciplined into ceremony. Light is treated as a moral geometry here, carving negative space into corridors of silence where nourishment, sacrifice, and desire are distilled into a quiet, surreal exchange.