Untitled 4 (Composition in Ochre)

A veiled, ochre field holds a near-subliminal totem—stacked circles and softened planes—hovering between figure and memory as if the image were being excavated from aged pigment rather than painted upon it. The composition’s central axis reads like a quiet ritual of balance, where faint geometry and worn texture transform emptiness into a contemplative space of breath and pause. Muted light seems trapped within the surface, suggesting time’s sedimentation—an icon eroded by experience, yet still insisting on presence through its fragile symmetry.