Untitled 5

A veiled, ochre field holds the ghost of a figure as if seen through layers of dust and time, its contours barely insisting against the earth-toned ground. The composition feels like an excavation—forms emerge and recede in the same breath—so that the body becomes less portrait than residue, a memory pressed into pigment. Subtle shifts of light within the warm monotone suggest both tenderness and erasure, turning the surface into a meditation on presence, concealment, and the fragility of being witnessed.