Changing Times

Set against the quiet authority of a clock face, three figures emerge as if tessellated from memory—bodies built of rose and ember squares that suggest both mosaic permanence and a self that is continually reassembled. The central nude, lit from within, becomes a living hourglass: arms raised in a gesture that reads as surrender and ascent, while the flanking figures bow inward, their closed postures echoing contemplation, shame, or private prayer. Hairline cracks and softened edges fracture the surface like time’s wear on flesh, turning intimacy into a meditation on impermanence, vulnerability, and the slow arithmetic of becoming. The restrained background amplifies the chromatic heat of the skin-tones, making the scene feel suspended between ritual and recollection, where time watches but does not intervene.