Untitled 94 (The Divine Presence)

Set against a sun-baked field of ochre and clay, the bull emerges in decisive, pared-down strokes—at once icon and living presence—its calm gaze anchoring a space that feels both mural-like and immediate. The restrained palette and scraped, gestural marks treat the surface like weathered earth, suggesting memory etched into landscape rather than a single moment observed. By balancing the animal’s solid, horned silhouette with scattered, totemic shapes at the periphery, the composition quietly stages a dialogue between strength and stillness, as if ritual and daily labor have settled into the same breath.