Untitled 59 (Divine Presence)

In this work, a suspended figure—part lion, part dream—presses against a field of incandescent ochres, as if the air itself has been heated into motion. Thick, urgent brushstrokes fracture the body into blue and grey intervals, turning anatomy into a rhythm of weight and release, while the vertical element at left reads like a pole, a boundary, or a tether anchoring instinct to structure. The composition oscillates between containment and leap: the creature’s curling form suggests both play and struggle, a choreography of resilience enacted in a space that feels more emotional than physical. Color becomes psychological weather—blue as bruised calm, orange as relentless vitality—holding the viewer in the moment where power is not fully mastered, only vividly alive.