Unnamed

A dense collage of automobiles and circular “lenses” compresses the picture plane into a stack of modern relics, where mobility becomes weight and progress feels almost claustrophobic. The palette—obsidian blacks punctured by electric blues and acidic yellows—operates like nocturnal city light, turning the vehicles into totems while the floating dots and faint typographic traces suggest surveillance, advertising, and the incessant hum of mediated life. In the foreground, the shadowed human figure reads as both witness and burden-bearer, implying that identity is carried, edited, and overlaid by the machinery of culture. The work’s visual logic is rhythmic yet unsettled, inviting us to consider how personal memory and collective history are packaged into icons that ride atop one another, never fully arriving at rest.