Untitled 12

This stark monochrome composition stages a collision of broad, decisive strokes, where dense black forms stack and intersect like a hastily erected architecture of thought. The scraped edges and exposed drag marks let light leak through the pigment, turning the white ground into an active silence that both frames and resists the weight of the gesture. The work reads as a record of struggle and recalibration—an improvisational scaffolding in which authority and vulnerability coexist, each stroke asserting presence while admitting its own impermanence.