Untitled 20

Broad, calligraphic bands of black sweep across a pale ground like beams and barricades, their dry-brushed edges exposing a grainy underlight that feels both scraped and luminous. The composition is a tense choreography of crossing vectors—arcs and angular strikes—that alternately open and seal pockets of negative space, suggesting a city’s scaffolding or an inner architecture under construction. In the friction between control and abrasion, the work reads as a meditation on constraint: a will to order that cannot fully suppress the restless energy of gesture.