

This sculptural pairing stages communication as both miracle and burden: two serene heads, turned away from direct encounter, are physically bound by a rhythmic corridor of ears that becomes a spine of listening. The pale, porcelain-like surfaces and softened daylight suppress drama, allowing the concept—reception, echo, mishearing—to take precedence over individual identity, while the garden’s blur suggests the world receding when attention becomes the true subject. In the tension between closed eyes and an alert gaze, the work proposes intimacy as an asymmetrical exchange, where what we offer and what we receive rarely align, yet remain inseparably tethered.







