

This sculpture stages an uncanny communion between portraiture and anatomy: a serene, almost devotional face is flanked by monumental ears that read like architectural wings, turning the body into an instrument of perception. The matte white surface quiets the object into near-ideal form, while soft outdoor light skims its curves to emphasize hollows and thresholdsβspaces where sound, memory, and intimacy might gather. By enlarging the organs of listening beyond the scale of the self, the work suggests a consciousness made porous, proposing empathy as an act of receiving rather than declaring.







