

A weathered circular dial, its numerals half-submerged in oxidation, is pierced by a long, locomotive-like form that seems to crawl out of time itself, turning measurement into metaphor. The cool blue-green patina reads like accrued memoryβeach corroded bloom a quiet record of touch, climate, and passing yearsβwhile the rigid geometry of the clock face is disrupted by the engineered body that intrudes, as if progress refuses to move in neat increments. Suspended against an empty field, the object becomes a small theater of paradox: motion frozen, history mechanized, and the future arriving not with clarity but with the weight of rusted inevitability.







