Untitled 1

A solitary, ochre-gold tree rises from a field of restless grey and white mark-making, as if coaxed into presence by insistence rather than certainty. The surface is built from countless granular strokes that shimmer like static or snowfall, turning the negative space into a weather system that both obscures and sanctifies the form. This tension between the tree’s warm, embodied glow and the cool, fractured ground suggests endurance—life asserting its quiet continuity amid noise, erosion, and time. The composition reads as a meditation on visibility itself: how memory and attention gather, layer by layer, until a single figure becomes unmistakable.