Untitled 4

This abstract composition suspends itself in a hushed field of smoky greys and tarnished golds, where fractured planes and burnished edges suggest a city of memory rather than a fixed place. Light appears to seep from within the layered surfaces—glancing off sharp triangles and softened rectangles—creating a tension between construction and erosion, certainty and drift. The sparse accents of indigo and a thin red mark read like fleeting signals, as if the work is charting a quiet navigation through ambiguity, inviting the viewer to assemble meaning from what is deliberately withheld.