Untitled 210 (Shifting Horizons**)

Suspended in an ochre haze, the composition feels like a memory surfacing mid-breath—figures and forms arriving only in fragments, as if the painting is translating sensation rather than depicting event. A wounded chord of red anchors the right side, countered by cooler turquoise and violet slippages that suggest movement, hesitation, and quiet resistance to clarity. The brushwork oscillates between erasure and insistence, turning negative space into a psychological field where presence is felt more than seen. In this tension between reveal and conceal, the work becomes a meditation on how identity and narrative are continually reconstructed from what remains.