Untitled 203 (Shifting Horizons**)

This composition unfolds like a half-remembered interior, where ochres and sanded golds dissolve into cooler teal and ultramarine planes, creating a dialogue between warmth that consoles and blues that distance. Angular facets slice through the haze as if architecture is being rebuilt from sensation rather than blueprint, while the softened edges and smoky passages let figures or objects hover at the threshold of recognition. Light behaves less as illumination than as a drifting veil, suggesting memory’s tendency to erode certainty and leave behind a poised, contemplative ambiguity.