



This work reads like an aged relic excavated from memoryβan earth-stained ground whose scumbled ambers and bruised ochres suggest time, weathering, and the quiet accumulation of lived experience. Across this worn surface, two silvery, plank-like forms drift in deliberate suspension, their cold sheen cutting through the warmth below like fragments of language or vessels of passage, while the delicate linear motif at the top traces a fragile, almost anatomical flight. The composition balances weight and levitation: dense materiality holds the eye, yet the metallic interruptions propose escape, as if endurance and yearning occupy the same breath.







