



This relief-like abstraction feels excavated rather than painted, its stacked, plank-like forms suspended in a dense field of umber and midnight blue as if time itself has been layered into matter. Metallic greens and ochres catch the light like tarnished leaf, turning the surface into a weathered palimpsest where corrosion and radiance coexist. The horizontal bands suggest fragments of shelter or vessel—boards, barges, or shutters—while the sinuous white tracery below reads as a fault line or current, quietly insisting on movement beneath apparent solidity. In this tension between weight and drift, the work becomes a meditation on endurance: how what is built, broken, and repaired still holds a memory of passage.







