



A jagged cluster of faceted forms rises like an unfinished city or a mineral outcrop, its planes stacked in tense negotiation, each edge catching and withholding light in turn. Against a warm, weathered field of ochres and sunbaked pinks, the structure feels both monumental and provisionalβan architecture of memory assembled from fragments rather than blueprints. The restrained palette and dry, granular surface lend the work a quiet gravity, as though time itself has abraded certainty into softly glowing doubt. What emerges is a meditation on construction and collapse: solidity rendered as a delicate balance of angles, shadows, and silence.







