



This painting gathers its forms like half-remembered architecture, a mosaic of planes that suggest rooftops and corridors without ever submitting to a single viewpoint. Warm earthen oranges and dusty rose tones dominate the field, while bruised violets and charcoal marks puncture the surface like quiet pauses, turning light into something felt rather than seen. The composition reads as a city of emotion—structures assembled from memory, then gently eroded—where solidity and dissolution coexist in a tender, restless balance.







