Untitled 54

This work stages a lucid dialogue between engineered precision and the slow, ancient drift of natural strata: a crystalline lattice of interlocking triangles and stars floats over undulating contour-lines like a map of time itself. The restrained palette of sand, bone, and shadow lets light become the true medium, carving depth through layered cutwork so that geometry reads as both architecture and apparition. Centered symmetry anchors the eye in a mandala-like calm, yet the surrounding ripples suggest tectonic movement—an image of order continuously negotiated against the living pulse of the earth.