

Concentric squares hover in disciplined recession, their warm ochres and honeyed golds dissolving into pale bands that feel less like pigment than atmosphere. The strict geometry is softened by gradient light, turning hard edges into thresholds and making the center read as both destination and quiet void. In this measured repetition, the work becomes a meditation on containment and releaseβhow stability can also be a gentle invitation inward, layer by layer, toward stillness.







