Untitled 2

This painting distills a city into faceted silhouettes—steeples and towers reduced to angular planes that rise like memories rather than mapped architecture. A cool, saturated blue field holds the scene in nocturnal suspension, while wedges of ember red and ochre pulse from within, suggesting inhabited interiors and the persistence of human warmth inside hard urban geometry. The composition’s interlocking shapes create a rhythmic tension between enclosure and passage, as if streets have become corridors of thought and the skyline a coded emotional register. What emerges is a quiet narrative of refuge: light not as illumination, but as resilience embedded in structure.