Untitled 2

The composition reads like an urban memory fractured into luminous planes—vermillion and rust masses press forward while cool teal and blue atmospheres recede, creating a shallow, vibrating depth. Angular shards and hovering triangles behave as visual debris or signals, suggesting a city not depicted but sensed, where structure is continually assembled and undone. Veils of scraped pigment and vertical drips introduce time into the surface, as though light itself has weathered the scene and left traces of urgency, heat, and quiet resilience.