Human Composition (Inner and Outer)

Set across a split field like two panels of a single psyche, the work stages the body as both evidence and apparition: on the left, a woman rendered with anatomical candor—bones and organs luminous beneath the skin—stands as a quiet inventory of what is undeniable. Opposite her, a coppery figure dissolves into contour and gesture, turning away with an arm raised as if shielding the face from scrutiny, suggesting the self we perform when vulnerability becomes too exposed. Geometric planes slice the space into theatrical apertures, while the dotted, data-like ground and metallic sheen evoke scanning technologies, implying a contemporary tension between intimacy and surveillance. In the muted warmth of bronze and umber, the piece meditates on visibility as a kind of intimacy—one that can heal through recognition, yet also wound through reduction.