

This work transforms the utilitarian silhouette of a three-wheeled vehicle into a crisp, almost architectural relief, where exposed compartments and mechanical innards read like a cross‑section of industrial memory. The saturated yellow body asserts optimism and velocity, while the graphite top and wheels anchor the form in a sober, engineered reality, creating a tension between play and precision. Set against an immaculate white field, negative space becomes a kind of showroom silence—inviting the viewer to contemplate how mobility, labor, and design are fetishized into objects of clean desire. In its meticulous articulation of parts, the piece suggests that what we call “progress” is often an assemblage—beautiful, fragmented, and perpetually under construction.







