Untitled 4 (Geometric Woman with Birds)

This monochrome abstraction stages a tense choreography of interlocking forms—an eye-like disc, beak-sharp diagonals, and densely patterned fields—that hover between creature and machine, as if perception itself has been engineered. The strict black masses press against latticed textures, making negative space feel like a held breath, while the repeating “cells” suggest both protective armor and a feverish swarm of thoughts. Through its fractured anatomy, the work reads as a meditation on vigilance: seeing as a kind of entrapment, and structure as the thin line between order and threat.