



This work drifts between architecture and atmosphere, where stacked, rectilinear forms emerge like half-remembered buildings submerged in mist. Cool blue-grays and veils of scumbled paint create a suspended light, while quick, blade-like marks slice across the surface as if recording passing currents—wind, thought, or time itself. The composition holds tension between solidity and erasure: a city’s mass reduced to traces, suggesting how modern structures become emotional topographies—places we inhabit physically yet experience as fleeting impressions.







