



The work stages a quiet collision between inherited labor and modern appetite: three women, rendered in sepia like an archival memory, advance beneath precarious burdens while a grid of drawers—administrative, domestic, orderly—becomes an impassive backdrop. To the left, a mosaic of symbols reads as a crowded mindscape of culture and signage; to the right, neon-outline goblets hover like phantom desires above a lone bottle and glass, a seductive vocabulary of consumption set against nocturnal blue. Birds perch and dart through these compartments of life, turning the scene into a meditation on movement and migration—how bodies are made to carry, while wishes and commodities float weightless in the air.







