

This sculptural work stages a poised encounter between two monolithic halves, their mirror-like black interiors folding light into repeated, seedlike protrusions that feel both protective and quietly ominous. The rough, pale outer skins read as a weathered crust, while the polished inner chambers suggest a hidden economy of desireβwhat is kept private, cultivated, or withheld. Suspended over a raw tree-stump plinth, the piece binds the geological to the organic, turning a narrow gap into a charged threshold where separation becomes the very condition of intimacy.







