Untitled 5

In this sepia-toned abstraction, the figure is fractured into planar shards that read like windows, turning the body into architecture and the act of movement into a quiet excavation. Warm amber light pools in triangular apertures, suggesting moments of clarity that puncture a field of muted browns and charcoal shadows, while the dense crosshatching lends the scene a tactile, almost weathered gravity. The composition oscillates between concealment and revelation—limbs, edges, and corridors slipping in and out of alignment—evoking a psychological interior where identity is assembled from fragments, memory, and pressure.