Untitled 21 (Desert Sanctuary)

This quiet abstraction assembles translucent planes of ochre and sienna like fragments of memory pressed onto paper, where each wash overlaps to create a soft architecture of presence and absence. The generous central void behaves as a luminous silence, letting light become the true subject while the surrounding forms—dotted textures, faint ridges, and staining edges—suggest touch, erosion, and time’s slow accumulation. Its restrained palette and porous boundaries invite contemplation of what is held and what slips away, turning minimal marks into a tender meditation on impermanence and balance.