An Unexplained Rottening 2

This sculptural series reads like a set of cross‑sections through time—dark, charred exteriors yielding to tender, mineral interiors where marbling and crystalline bruises suggest geology as memory. The repeated halving turns each form into a quiet rupture: symmetry promises wholeness, yet the fissure insists on absence, making the viewer complete the circle in imagination. Subtle shifts from soot-black to bone-white and tarnished gold stage an ethical tension between corrosion and preservation, as if the work meditates on what survives when a surface is burned away. In the spare, clinical spacing, these “specimens” become both intimate bodies and archaeological evidence, holding decay and radiance in the same breath.