



This work reads like a volatile geography of the psyche, where molten ochres and embered golds surge through deep slate and charcoal, suggesting both ignition and erosion in the same breath. The composition’s sweeping arc compresses space into a looming, planetary mass—half storm, half sanctuary—while the marbled striations behave like memory currents, endlessly folding and re-forming. Along the lower edge, a frosted band of pale turbulence punctuates the heat above, as if the painting stages a threshold between combustion and cleansing, inviting the viewer to linger at the moment of transformation.







