Untitled 4

This abstraction arranges its vertical slabs like an urban anatomy—walls, apertures, and scaffolding suggested through layered planes that alternately conceal and reveal. Cool blues and sea-glass greens press against chalky whites, creating a restrained luminosity that feels both architectural and atmospheric, as though light is being measured rather than merely shown. The interlaced linear marks—part diagram, part graffiti—introduce a quiet tension between construction and erasure, hinting at memory embedded in built space. What emerges is a meditative city without figures, where presence is conveyed through structure, and emotion through the cadence of intervals and pauses.