



A ring of arboreal forms gathers like a quiet council, their trunks simplified into luminous silhouettes that hover between landscape and memory. The restrained palette—ochres, umbers, and ash-grey—lets light behave as a moral force, grazing bark and negative space to suggest endurance rather than spectacle. Composed as a near-circular embrace, the scene turns the forest into a sanctuary where time is counted not in movement but in weathering, and presence is felt through the tactile density of line. What reads first as nature becomes a meditation on kinship: separate bodies leaning toward a shared canopy, bound by the same hush.







