Untitled 120

This work stages a quiet confrontation between two atmospheres—nocturnal blue and solar gold—split by a crisp vertical axis that feels at once architectural and moral. From a central, pinwheel-like disc, ridged rays surge outward in disciplined rhythm, turning the surface into a tactile field where light seems carved rather than painted. The circular nucleus reads as a compass or eclipse, suggesting balance under pressure: a moment where opposing energies meet, hesitate, and then radiate into order. In its insistence on symmetry and relief, the piece becomes a meditation on duality—day and night, warmth and cold, certainty and doubt—held together by a single, fragile seam.