Untitled 22

Set against an expanse of white that reads like sun-bleached silence, the procession unfurls horizontally—oxen, cart, and veiled figures forming a living frieze of rural passage. The saturated reds, saffrons, and lapis blues on cloth and dress operate as both ornament and identity, turning utilitarian travel into ceremony while the delicately described harness and wheelwork anchor the scene in tactile labor. By withholding a detailed landscape, the artist elevates movement itself into meaning: tradition carried forward, community bound by shared rhythm, and the quiet dignity of work made radiant through color.