Ganga (Abundance)

This sculptural column rises like a slow exhalation of matter, a vertical torrent of leaf-like fragments spilling from a dark aperture beneath a pale sphere—at once celestial and bone-like—suggesting creation and decay in the same breath. The composition stages a tension between gravitational collapse and upward aspiration: dense accumulations at the base anchor the form, while the narrowing ascent turns detritus into a kind of reluctant ascension. Its oxidized greens and earthen browns read as time made visible, a patina that feels archaeological, as though memory itself has been pressed into relief and allowed to weather. In the stark surrounding void, the work becomes a quiet allegory of passage—nature, history, and the body cycling through transformation, held in a single suspended gesture.