Untitled 71 (Serene Abstraction)

This painting stages a quiet collision between weightless blue atmosphere and dense, sea-glass planes, where scraped edges and bruised violets read like memories surfacing through layers of paint. The composition hinges on a central vertical fault-line, a structural “spine” that holds the drifting forms in tension—part architecture, part shoreline—so that space feels simultaneously built and dissolving. Light is not depicted so much as excavated: it flickers from within the turquoise fields, suggesting presence, absence, and the perpetual re-forming of inner landscapes.