Untitled 151 (Untitled 157)

A broad field of cool turquoise opens like a breath of cleared air, against which warmer ochres and smoky grays gather in suspended, half-remembered architecture. The composition pivots on a sharp diagonal that reads as both shoreline and blade of light, splitting the canvas into zones of calm and congestion where thin linear marks act like hesitant coordinates. Veiled glazes and scraped passages create a sense of time sedimented—moments erased and rewritten—so the painting becomes a meditation on arrival: the instant where certainty dissolves into atmosphere and new form begins to surface.