



A solitary armchair, rendered as both object and apparition, anchors the canvas with a confident contour while its skin fractures into strata of turquoise, rust, and inkβlike memory pasted, scraped, and repainted. The surrounding field of pale blue air and bruised lavender floor refuses conventional depth, turning the room into a psychological stage where comfort feels provisional and slightly unstable. Splattered marks and eroded passages read as the residue of lived time, suggesting that rest is never pure stillness but a negotiated pause amid noise, change, and the persistence of presence.







