Untitled 2

This composition stages a fragmented animal presence as if pieced together from memory—planes of slate, sand, and bruised blue colliding into a body that is both monumental and unsettled. Hard-edged geometry and scumbled textures create a tension between containment and wildness, while the small red accents read like pulses of instinct breaking through the work’s restrained palette. Negative space is not emptiness here but a quiet arena that amplifies the creature’s weight, suggesting a meditation on survival, vulnerability, and the way identity is constructed from layered traces.